Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas The Ballet from Robert le Diable oil painting


The Ballet from Robert le Diable
mk206 1876 Oil on canvas 76.6x81.3cm
Painting ID::  50004 		Edgar Degas
The Ballet from Robert le Diable
mk206 1876 Oil on canvas 76.6x81.3cm
   
   
     
Edgar Degas Portrait of an office oil painting


Portrait of an office
mk206 1873 Oil on canvas 73x92cm
Painting ID::  50005 		Edgar Degas
Portrait of an office
mk206 1873 Oil on canvas 73x92cm
   
   
     
Edgar Degas Diego Martelli oil painting


Diego Martelli
mk206 1879 Oil on canvas 110x100cm
Painting ID::  50006 		Edgar Degas
Diego Martelli
mk206 1879 Oil on canvas 110x100cm
   
   
     
Edgar Degas The Millinery Shop oil painting


The Millinery Shop
mk206 about 1884-90 Oil on canvas 100x110.7cm
Painting ID::  50007 		Edgar Degas
The Millinery Shop
mk206 about 1884-90 Oil on canvas 100x110.7cm
   
   
     
Edgar Degas After the bath oil painting


After the bath
mk206 about 1896 Oil on canvas 89x116cm
Painting ID::  50008 		Edgar Degas
After the bath
mk206 about 1896 Oil on canvas 89x116cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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